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Wisdom and youth coalesce in this portrait, questioning whether or not mortality truly is the harbinger of knowledge.
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The painting evokes a raging wrath: the intense physicality of the paint makes the canvas almost sculptural in its forcefulness and level of presence.
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Trapped on Dvorezky’s canvas, the man seems doomed to fall for eternity, never reaching the absolution of the end but unable to reverse his decision to jump.
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She is disrobing herself, completely comfortable with showing her body and being vulnerable.
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The hazy edges of the canvas suggest the impossibility of capturing the human spirit.
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