
The Unknown with Hengki Koentjoro
But the unknown is vaguely threatening – the intense blackness of the waters envelops the feet, consuming the rest of the child’s body. There seems to be nothing in the beyond.
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But the unknown is vaguely threatening – the intense blackness of the waters envelops the feet, consuming the rest of the child’s body. There seems to be nothing in the beyond.
Read moreWith his eyes narrowed in distrust and a smirk playing at the edges of his lips, he is the one evaluating the camera and drawing his own conclusions. He is anything but a passive subject to the camera’s agency.
Read moreThe painting exists somewhere between devastating violence and passionate warmth, drawing the viewer in while simultaneously making them fear what they might find within their own subconscious.
Read moreLarrain traveled through Europe and Latin America searching for what he called the “state of grace” – an elusive state that combines both serenity and spontaneity.
Read moreThe painting evokes a raging wrath: the intense physicality of the paint makes the canvas almost sculptural in its forcefulness and level of presence.
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