
Babajide B Olatunji’s Tribal Marks
The pain in her history, it does not encroach upon her stillness or her quiet power.
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The pain in her history, it does not encroach upon her stillness or her quiet power.
Read moreThe artist takes small parts of a larger picture in order to emphasize that the parts are just as great as the whole to demonstrate that the power of the individual supersedes the circumstances around him or her.
Read moreDistorted, disproportionate, and hidden, the body rejects any semblance to a human shape, except for the eye and lips. With their large size and unnaturally frontal position, they connect the viewer with human emotion and maybe lust.
Read moreThis child is determined to learn and hopeful to break through his oppression armed with knowledge.
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