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Often as small as 3×5 inches, Yamamoto’s photographs individualize the prints as objects and require viewers to look at the pieces intimately.
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Despite his photorealistic depiction of the subjects, this scene is evidently surreal, happening in some otherworldly place where pigeons can survive in outer space.
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Although this piece showcases the triumph of the red plum’s purity, the experience of living within adversity remains prevalent within its branches.
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They remind us of a shared sense of connection with our emotions, our memories, and for one moment we can image that we were part of something bigger than ourselves.
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We pander for the validation of others, obsessing over the comments and number of likes on their online posts as if the selfie was a god, and social media a religion.
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