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Often as small as 3×5 inches, Yamamoto’s photographs individualize the prints as objects and require viewers to look at the pieces intimately.
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The ocean serves as a siren call, extending its influence over everything around it and calling her away from the drabness of the land.
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The whole scene seems to exist as a dreamscape, conveying a timeless quality while somehow simultaneously placing itself in the early hours of the morning, as if out of a fantastical dream.
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