He reminds us that victims of trauma should not be defined by what they have been through, but instead by their essential humanity that perseveres no matter what has happened to them.
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Martinakis seems to be saying that while such ailing relationships might a retain a surface beauty, the truly beautiful moment will be when the two are able to let go and move on.
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To rush her metamorphosis into the truest version of herself could mean driving the chisel into her flesh, and could mean death.
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This piece is chaotic and raw, and ultimately, it is beautiful because of its human mayhem. The seemingly random marks and strokes – violent, fluid, complex, and simple – are relatable and calming in their familiarity within us all.
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