But the unknown is vaguely threatening – the intense blackness of the waters envelops the feet, consuming the rest of the child’s body. There seems to be nothing in the beyond.
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With his eyes narrowed in distrust and a smirk playing at the edges of his lips, he is the one evaluating the camera and drawing his own conclusions. He is anything but a passive subject to the camera’s agency.
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They are unencumbered by the limits of daily life as they swing on the edge of boyhood. Hengki Lee has captured a simple, yet amazing moment of pure freedom.
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Xuan Khanh Nguyen bases his art on memory – the ethereal worlds that people carry within their subconscious but are nevertheless rooted in real life.
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