LeMay opens our eyes to an aspect of nature that truly solidifies its greatness: the capacity to create environments that stand completely still, yet bear the incontestable power of life.
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Van Empel must create these flawless worlds from pieces of reality because they emphasize reality’s faults and suggest that this perfection is possible.
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This kiss acknowledges the existence of intimacy, but it simultaneously closes the door upon any future possibility of such connection.
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The young, androgynous, imploding figure embodies the chaotic mental battlefield of making a difficult decision in a physical manifestation.
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