Perhaps inspired by the cultural symbolism of his native China, Feng evokes joy with the unexpected vibrancy of this tree, subverting the common symbols of aggression associated with the colors black and red.
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Yan’s brilliance lies in her focus on her subject’s eyes: she paints striking hazel irises, small dark pupils, and an absolutely striking gaze.
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Li Wentao’s figures are always barefoot and not fully dressed, and their body language – hunched over, curling into themselves – evokes a sense of longing, fragility, and a melancholic sensuality.
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